Thomas Moran Forest Scene painting

Thomas Moran Forest Scene paintingThomas Moran Autumn Landscape paintingJean Francois Millet The Gleaners painting
deepest country. Little houses, bigger ones, scrolled and capacious porches, dark windows, leaves of trees already rich with May, homes of rooms which chambered sleep as honey is cherished, drifted past their slow walking and were left behind, and not a light in any Home. Along Laurel Avenue it was still darker. The lamp behind them no longer cast their shadows; in the light of the lamp ahead, a small and distant bit of pavement looked scalded with emptiness, a few leaves were touched to acid flame, the spindles and turned posts of one porch were rigidly white. Helping his mother along through the darkness, Andrew was walking much more slowly than he was used to walking, and all these things entered him calmly and thoroughly. Full as his heart was, he found that he was involved at least as deeply in the loveliness and unconcern of the spring night, as in the death. It’s as if I didn’t even care, he reflected, but he didn’t mind. He knew he cared; he felt gratitude towards the night and towards the city he ordinarily cared little for. How still we see thee lie, he heard his mind say. He said the words over, drily within himself, and heard the melody; a child’s voice, his own, sang it in his mind