Edward Hopper Sunday painting

Edward Hopper Sunday paintingEdward Hopper Morning Sun paintingAmedeo Modigliani Reclining Nude painting
the other Anastasia's vulnerable magnanimity, Max's scapegoatery, Greene's innocence, Eierkopf's asceticism, and Croaker's appetitiveness, so I suspected that Lucius Rexford was not so entirely free of Stokerishness, so to speak, as we both might wish: I dared guess he had lost his temper with Mrs. Rexford on occasion, perhaps even had struck her -- surely not more than once or twice -- as well as sampled at least upon one occasion the extracurricular pleasure of Anastasia. Obversely, his condemnation of extremism and disorder, as manifest in Stoker, had never been more than mild; it was his partisans and associates who shouted down the gossip of their fraternity.
Not to speak of these things directly, I praised instead his speech of the morning and the philosopher Entelechus on whom he'd drawn, and with whose thought I had a passing acquaintance, thanks to Max. Then I made bold to suggest that the principle of moderation and compromise lost its meaning if it too was compromised and moderated. Entelechus himself, I happened to recall, had warned against "means in the extremes" -- by which he meant that one was not to lie, cheat, steal, rape, or murder even discreetly