Monday, 6 October 2008

Thomas Kinkade A Peaceful Retreat painting

Thomas Kinkade A Peaceful Retreat paintingJohn Collier Lady Godiva paintingCaravaggio Supper at Emmaus painting
pressed his head backward against the firm hand, and, in reply to that pressure, clasped over his right ear and cheek, over the whole side of the head, and drew Rufus’ head quietly and strongly against the sharp cloth that covered his father’s body, through which Rufus could feel the breathing ribs; then relinquished him, and Rufus sat upright, while the hand lay strongly on his shoulder, and he saw that his father’s eyes had become still more clear and grave and that the deep lines around his mouth were satisfied; and looked up at what his father was so steadily looking at, at the leaves which silently breathed and at the stars which beat like hearts. He heard a long, deep sigh break from his father, and then his father’s abrupt voice: “Well ...” and the hand lifted from him and they both stood up. The rest of the way they did not speak, or put on their hats. When he was nearly asleep Rufus heard once more the crumpling of freight cars, and deep in the night he heard the

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